These two paintings, a pastel ("Calling") and an oil ("Near and Far Fields"), helped give me faith in the process of searching and revising that seems necessary in the creative process. As often is the case for me, the initial inspiration began at a real place, where I loved the pull of the triangular shapes towards the distance, with the near-ground anchored by the round bale. I sketched this on location in pastel, and later added touches back in the studio, leading to the finished pastel painting, "Calling."
|
Alice Kelsey, "Calling" Pastel 7" X 17" Sold. |
|
I then had an urge to carry the image over to a bigger scale (17" X 40") in oil, and I chose jute (rather than more conventional cotton canvas) with its rough diagonal weave as the support for this earthy scene. However, everything changed at this scale. After I roughed in the composition similar to the pastel, it just didn't hold together - the elements together didn't seem to draw the viewer into the scene as they had in the smaller pastel.
So I proceeded with a number of revisions, adding more bales - it just felt like there needed to be more mass to anchor the composition at this larger scale.
|
Oil version - first revision. Many bales. 17" X 40" |
This still didn't seem to do it. I just felt more stuck about the foreground, so I painted out a bunch of the bales, feeling that the tension between the two remaining bales would draw the eye in.
|
Oil version - second revision. Only 2 bales. 17" X 40" |
But I still wasn't happy. I let the painting rest out of sight for several months, and then when I pulled it out to review, I realized that it really was a different painting at this scale than it had been in the smaller pastel. I shifted focus to the rhythm of the trees in the hedgerow, moving them until the intervals between them felt balanced. I removed all the bales because they were distracting from the overall scene. I think these changes work in helping the eye dance a bit through the foreground, yet still search through the trees towards the farther fields and woods. So that's where the title came from- this search of conveying the feeling of mystery of moving into a landscape.
|
Alice Kelsey. 'Near and Far Fields." Oil. 17" X 40" Sold |
In the end, I think both the oil and the pastel convey this interest between the near and the far, yet in different ways. The pastel feels energized and the oil kind of peaceful. Both paintings share a common origin, but went different directions. I learned a lot about how the scale (same proportional shape but different size) of a painting requires different compositional elements.